The New Statesman played a pivotal role in allowing Russell Brand to remake himself as a 'revolutionary'.
I think Joe Kennedy was pretty positive about Brand in Authentocrats, holding him up as an alternative example of the 'working class' to that conjured up by Blue Labour, etc
I think Joe Kennedy was pretty positive about Brand in Authentocrats, holding him up as an alternative example of the 'working class' to that conjured up by Blue Labour, etc